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	<title>Comments on: Episode #14 &#8211; Melodic Minor Mode</title>
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	<link>http://www.petermartinmusic.com/2009/11/13/episode-14-melodic-minor-mode/</link>
	<description>Jazz pianist Peter Martin</description>
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		<title>By: Garyflores2001</title>
		<link>http://www.petermartinmusic.com/2009/11/13/episode-14-melodic-minor-mode/#comment-320</link>
		<dc:creator>Garyflores2001</dc:creator>
		<pubDate>Sat, 08 Jan 2011 22:06:00 +0000</pubDate>
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		<description>I love the sound of the Melodic minor scale over the G7alt chord.  The triads sound cool too.  I used this scale every chance I get.  Great to see you in San Francisco with Dianne Reeves.  What a treat to see the outstanding show.  Thanks Peter
keep delightening us with your piano playing.</description>
		<content:encoded><![CDATA[<p>I love the sound of the Melodic minor scale over the G7alt chord.  The triads sound cool too.  I used this scale every chance I get.  Great to see you in San Francisco with Dianne Reeves.  What a treat to see the outstanding show.  Thanks Peter<br />
keep delightening us with your piano playing.</p>
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		<title>By: Markus</title>
		<link>http://www.petermartinmusic.com/2009/11/13/episode-14-melodic-minor-mode/#comment-237</link>
		<dc:creator>Markus</dc:creator>
		<pubDate>Wed, 06 Jan 2010 15:59:15 +0000</pubDate>
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		<description>Thanks again Peter!</description>
		<content:encoded><![CDATA[<p>Thanks again Peter!</p>
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		<title>By: Paul</title>
		<link>http://www.petermartinmusic.com/2009/11/13/episode-14-melodic-minor-mode/#comment-236</link>
		<dc:creator>Paul</dc:creator>
		<pubDate>Sun, 13 Dec 2009 15:11:43 +0000</pubDate>
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		<description>Hey Peter!  When you have a minute (HA!) I&#039;d love for you to address your development of chord voicings for the melodic minor sounds.  I often use the triads you talked about in Lesson 14, but am always looking for fresh options (maybe some OPEN, quatral sounds à la McCoy).

Great site.  Thanks, as always.</description>
		<content:encoded><![CDATA[<p>Hey Peter!  When you have a minute (HA!) I&#8217;d love for you to address your development of chord voicings for the melodic minor sounds.  I often use the triads you talked about in Lesson 14, but am always looking for fresh options (maybe some OPEN, quatral sounds à la McCoy).</p>
<p>Great site.  Thanks, as always.</p>
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