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	<title>Comments on: Episode #5 – Practicing away from the piano</title>
	<atom:link href="http://www.petermartinmusic.com/2009/01/06/bilbao-spain/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.petermartinmusic.com/2009/01/06/bilbao-spain/</link>
	<description>Jazz pianist Peter Martin</description>
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		<title>By: toebr</title>
		<link>http://www.petermartinmusic.com/2009/01/06/bilbao-spain/#comment-38</link>
		<dc:creator>toebr</dc:creator>
		<pubDate>Sun, 29 Mar 2009 22:32:31 +0000</pubDate>
		<guid isPermaLink="false">http://petermartinmusic.com/?p=650#comment-38</guid>
		<description>Thanks! That makes perfect sense.
I´ve trying to find a fingering I would use for both
black and white keys, but this seems logical and
feels nice for the hands.

I have one more question: When in a situation
where you would use a quartal sequence like that,
would you always start on the same key, or do you
make it a point to be able to play it from any key
(I´m especially thinking of contrary motion, since
this takes a bit of coordination).
It is a quite strong sound in itself, and in my head
it might seem better to have a sequence like that in
my fingers real strong, rather than practicing it
all over the place and maybe stumbling.
I would love to have your view on this if you´ve
got the time to answer.

Anyway, enjoy your tour in Spain and have,
plenty of great wine and tapas.
One of my favorite countries, especially food-wise.
Hoping to see you in Oslo, Norway soon!

Regards, toebr</description>
		<content:encoded><![CDATA[<p>Thanks! That makes perfect sense.<br />
I´ve trying to find a fingering I would use for both<br />
black and white keys, but this seems logical and<br />
feels nice for the hands.</p>
<p>I have one more question: When in a situation<br />
where you would use a quartal sequence like that,<br />
would you always start on the same key, or do you<br />
make it a point to be able to play it from any key<br />
(I´m especially thinking of contrary motion, since<br />
this takes a bit of coordination).<br />
It is a quite strong sound in itself, and in my head<br />
it might seem better to have a sequence like that in<br />
my fingers real strong, rather than practicing it<br />
all over the place and maybe stumbling.<br />
I would love to have your view on this if you´ve<br />
got the time to answer.</p>
<p>Anyway, enjoy your tour in Spain and have,<br />
plenty of great wine and tapas.<br />
One of my favorite countries, especially food-wise.<br />
Hoping to see you in Oslo, Norway soon!</p>
<p>Regards, toebr</p>
]]></content:encoded>
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		<title>By: pianopeter</title>
		<link>http://www.petermartinmusic.com/2009/01/06/bilbao-spain/#comment-37</link>
		<dc:creator>pianopeter</dc:creator>
		<pubDate>Sat, 28 Mar 2009 15:36:03 +0000</pubDate>
		<guid isPermaLink="false">http://petermartinmusic.com/?p=650#comment-37</guid>
		<description>Toebr - In the right hand, I use 4-2-1 or 1-2-4 for all that have black key on top, 1-2-5 (or 5-2-1) for the others. For the left hand I use 5-2-1 (1-2-5) for white key on bottom and 4-2-1 (1-2-4) for black key on bottom... I hope that makes sense! You should definitely expirement at a slow tempo with different fingerings to see which works best for your hands (and mind) and then memorize and automate that particular fingering pattern as you increase the tempo - good luck, and thanks for your kind words abpout my playing!</description>
		<content:encoded><![CDATA[<p>Toebr &#8211; In the right hand, I use 4-2-1 or 1-2-4 for all that have black key on top, 1-2-5 (or 5-2-1) for the others. For the left hand I use 5-2-1 (1-2-5) for white key on bottom and 4-2-1 (1-2-4) for black key on bottom&#8230; I hope that makes sense! You should definitely expirement at a slow tempo with different fingerings to see which works best for your hands (and mind) and then memorize and automate that particular fingering pattern as you increase the tempo &#8211; good luck, and thanks for your kind words abpout my playing!</p>
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	<item>
		<title>By: toebr</title>
		<link>http://www.petermartinmusic.com/2009/01/06/bilbao-spain/#comment-36</link>
		<dc:creator>toebr</dc:creator>
		<pubDate>Thu, 26 Mar 2009 00:51:24 +0000</pubDate>
		<guid isPermaLink="false">http://petermartinmusic.com/?p=650#comment-36</guid>
		<description>Hi!

I´m a big fan of your playing, checking out some of your solos
and comping on the Redman &quot;Spirit Of The Moment&quot; record
right now actually.
Some of the greatest modern swing playing I know of, thank you!

I would love to know the fingering of the last 4th movement
at the end of the video, those are a bit hard to play, I find I´m
tending to strain my hand playing this particular movement.
Also, I´d be interested to know your choice of fingering for
the other sequencing, do you use 2nd or 3rd finger in the
middle?

Please keep up these lessons, they´re a great inspiration!

Regards, toebr</description>
		<content:encoded><![CDATA[<p>Hi!</p>
<p>I´m a big fan of your playing, checking out some of your solos<br />
and comping on the Redman &#8220;Spirit Of The Moment&#8221; record<br />
right now actually.<br />
Some of the greatest modern swing playing I know of, thank you!</p>
<p>I would love to know the fingering of the last 4th movement<br />
at the end of the video, those are a bit hard to play, I find I´m<br />
tending to strain my hand playing this particular movement.<br />
Also, I´d be interested to know your choice of fingering for<br />
the other sequencing, do you use 2nd or 3rd finger in the<br />
middle?</p>
<p>Please keep up these lessons, they´re a great inspiration!</p>
<p>Regards, toebr</p>
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